"What is to give light must endure burning." --Viktor Frankl

“I have wasted years of my life
agonizing about the fires
I started when I thought that to be strong you must be flame-retardant”

--Amanda Palmer, Ampersand

“When you learn to love yourself
You will dissolve all the stones that are cast
Now you will learn to burn the icing sky
To melt the waxen mask
I said to have the gift of true release
This is a peace that will take you higher
Oh I come to you with my offering
I bring you strange fire”

--Indigo Girls, Strange Fire



28 August 2011

Belgian Beer is Best


Circa 2003: In response to one of those writing prompts where you are given a few random words and  integrate them in a story. Platypus and Belgian beer were two of the words. I forget the others.


“Belgian Beer is Best.”

This time the slogan had been scribbled on a slip of coffee-stained stationery and slid under Ania’s front door. Lavazza. It had to be. It was the only brand of coffee Davin drank. This month. He was so obsessive about his beverages. That’s what had started the Belgian beer campaign in the first place.
Davin was no food snob: he savored a Whopper as much as smoked salmon, if he was in the mood for it. When it came to food, he was simply interested in exploring new tastes, new textures, new versions of old favorites. That’s how he had discovered the casual comfort of popcorn in tomato soup and the nostalgic gratification of frozen HoHos and fruit-filled snack pies devoured right from the freezer. But when it came to drinks, especially the potent potables, Davin was on an unending quest for the best.
Of course, the only way to determine the best is to try the rest. And Davin made it his life’s work to try every alcoholic beverage ever made. This was a full time job in itself. Not that Davin was an alcoholic. Or even that his desire was insatiable. It was a matter of experimentation, evaluation, trial and error.
Davin’s favorite explanation for his fixation was to quote Blake: “The road to excess leads to the palace of wisdom.” Without excess of rum how would he have learned that Black Seal was supreme and that Bacardi was better suited for mouthwash than firewater? Without excess of agave, how would he have discovered that mezcal was the finer cousin of tequila? So far, Lajita Mezcal had earned his vote, but he would need to become familiar with more gusanos before the next election. Unlike politicians, liquor didn’t lie.
In vino veritas: In wine there is truth. Davin was seeking truth. The only problem was that falsehoods came in too many enticing flavors: some tart, some sweet, some bold and sassy, some cool, distant, and refreshing. Unable to part with the past, Davin’s solution was to maintain a harem of hard liquor and a supply of wine concubines. When looking for a new beauty, packaging was certainly a consideration: a shapely, smooth bottle added to the allure, like lingerie on a mysterious woman. But a virgin display was not enough. Davin was convinced that truth lies only in experience, not in imagination. So he indulged in experience.

When I say, “Just looking,” I mean I am searching, I have my “eye out” for something. Looking is hoping, desiring, never just taking in light, never just merely collecting patterns and data. Looking is possessing or the desire to possess—we eat food, we own objects, and we “possess” bodies—and there is no looking without thoughts of using, possessing, repossessing, owning, fixing, appropriating, keeping, remembering and commemorating, cherishing, borrowing, and stealing. I cannot look at anything—any object, any person—without the shadow of the thought of possessing that thing. Those appetites don’t just accompany looking: they are looking itself.[1]

The only liquid Ania indulged in was body lotion. She collected new fragrances like Davin collected new flavors: Relaxing Anise, Stimulating Spice, Hot Toddy. Her latest acquisition was Concupiscent Cucumber-Melon.
Ania was also seeking truth. The only problem was that there were too many truths, too many interpretations. She wanted intellectual anarchy, not an election. She found fulfillment in formulations of fantasy and reality, in compositions of natural and artificial ingredients, in emulsions of lanolin and FD&C Red No. 5.
It wasn’t really an argument. And it wasn’t really about beer. It was about Ania’s refusal to participate in Davin’s elections. The problem wasn’t that she questioned Davin’s obsession or his distribution of superlatives. The problem was that she imagined.
She imagined that Davin was her lover. Sometimes. Sometimes she imagined that he was her father. And her child. And her friend. And her enemy.
Ania actually kissed him once. It happened at the State Fair. They had literally been throwing money away, trying to land dimes on glass saucers. It took Davin two hundred and forty two dimes, but he finally won the fuzzy stuffed purple platypus.
Ania wanted it. She was fascinated by platypuses, having read that male duckbills are the only poisonous mammals. Ania imagined that they used their poison as an aphrodisiac, when it worked, and as a tranquilizer when it didn’t. Davin offered to trade the platypus for a kiss. So Ania kissed him once and realized that Davin was also a part of herself. A part that petrified her.

Desire here is enacted as a restlessness reversing the libidinal economy of ownership; instead of wanting to possess or even “know” the other, we want to sustain the experiential excitement of not knowing, the seductive wonder we feel at discovering that the other is beyond us, unknown, inexhaustible.[2]

Ania actually kissed him once, but she imagined kissing him a thousand different times. She imagined she kissed him every time she found one of his notes, one of his not-so-subtle suggestions that she experience more of life. She imagined long, wet kisses in the living room where he slipped notes under the door; soft, stolen kisses outside, by the mailbox, where he wasted paper and 20 cent stamps sending her postcards; hot, breathy kisses in the laundry room where she found messages scrawled on used dryer sheets; full-bodied full-body kisses in the bedroom where he hid notes under her pillows. And after each imagined kiss she shredded Davin’s note and swore under her breath.

Explanation

 What if
I open my eyes
sing out my secrets
and those dreams drown
in your eyes?
By keeping my silence
I cannot disappoint
and the dreamer never dies[3]

Davin rejected Ania’s explanation. Ania continued to reject Davin’s intimations. Davin rejected Ania’s rejection and continued on his quest for the perfect drink.

“You want that on the rocks?”
“No, Sir, I take mine neat.”

Davin couldn’t imagine how anyone could dilute experience. Who would vitiate a shot of Oban with ice?  He didn’t even indulge in mixed drinks because he likened it to participating in an orgy. What might be gained in pleasure is definitely lost in control. Davin wanted control, so he stuck with serial monogamy.
Ania didn’t know how not to dilute experience. When you can’t manage experience with your hands you manage it with your imagination. What might be lost in pleasure is gained in control. Ania wanted control, so she stuck with masturbation.

Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true.[4]



[1] Elkins, James. The Object Stares Back: On the Nature of Seeing. San Diego: Harvest, 1997.
[2] Davis and Schadle, “Alternative Research Writing and the Academic Act of Seeking,” CCC 51.3 (2000):  422.
[3] Janice Carello. 1993.
[4] Haraway, Donna. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1991.

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